Lens Distortion Matcher makes it incredibly easy to undistort footage from any lens so that you can composite elements into your shot. Even if you don’t know what kind of lens - wide angle, GoPro, fisheye, or whatever - Lens Distortion Matcher can figure it out instantly.
Most undistort workflows are difficult and often end up with a loss in video quality through the roundtrip. Lens Distortion Matcher works differently, making the process simple, fast, and lossless. By analyzing the lens distortion in your original footage and then applying that lens model to your final comp, you get an undistorted composition to work in, and a final comp that matches the original lens.
Getting a reliable After Effects 3D camera track or 2D track from wide angle footage is challenging if not nearly impossible. Composited elements tend to slip and slide as the camera moves, killing the final effect. But by using Lens Distortion Matcher before you track, you’re able to give After Effects a much more tracking friendly shot, which means reliable tracking results, ready for compositing.
As you identify curved lines that should be straight, Lens Distortion Matcher quickly solves the lens. Just a few clicks and the job is done. Once you’ve undistorted, you can add VFX or work in the undistorted comp to track objects more reliably with tools like King Pin Tracker. Lens Distortion Matcher makes it easy to losslessly reunite your visual effects with your original footage.
Looking for information regarding operating system requirements and compatibility?